Golf School: Birdie the Birdie Holes

A recent Golf Digest article discussed “Tweener”- holes as the ones that a par isn’t really a par… for you. This could go either way, but in this case we’ll discuss the holes that are birdie holes for your game and where a par usually feels like a bogey. With a cruel game like ours, you have to take advantage of the holes that set up right for you.

Drivable par-4s are a new rage on Tour but let’s leave those to the pros. The most common birdie-hole at your course is the par-5 that is reachable in two. Smashing a three wood pin high and getting up-and-down for birdie is key here so let’s see how Rickie Fowler does it.

I like a 3-wood that flies with a small draw and tumbles after it lands. To get this trajectory, the key is a flatter swing that travels more around the body—almost as if you’re swinging a baseball bat. Note the deep position of my hands. They’re behind my hips and heels. From there, I have a ton of space to attack the ball from the inside to get that draw. What you don’t want is for the hands to get too high at the top, or they’ll come down steeply and take a chunky divot, which is a no-no with a fairway wood. The other fault is swinging too quick. Even though it’s a distance club, your primary goal is clean contact, so have a relaxed pause at the top. My tempo with a 3-wood feels as smooth as it does with a short iron.

Now that you’ve bashed a 3-wood up by the green, it’s time for a more delicate shot. To pitch it on, take a stance that’s narrow and slightly open. Having the feet close together helps limit lower-body movement for better contact. And standing open encourages a slight out-to-in path, which adds height to the shot so you can hold the green. If you start to freeze over the ball, take one more glance at the flag and then pull the trigger. Because distance control is the priority, an extra look at the target gives your mind a last dose of confidence.

I see three very positive aspects in this photo. It was taken after impact, yet my back heel is just beginning to rise off the turf. That tells me I generated power by using the ground. I also like how the inside of my right wrist is rubbing against the inside of my left wrist. When people talk about releasing the club, this is the move they mean—the clubhead is getting thrown down the target line with speed. Last, notice how you can see a slice of sky between my right shoulder and my chin. I work on posture, and a fault I sometimes battle is getting too hunched over. Not here. I’ve stayed tall, giving my right shoulder plenty of room to rotate underneath. This ball was spanked.

On a pitch shot, there’s almost no body turn going back. It’s really just the arms softly flowing back into place. The biggest mistake amateurs make is they get tight in the forearms and bring the clubface back shut. Then they stick the leading edge into the ground and flub the shot, or hit it hot over the green. Even on a very short pitch, let the face rotate open as you take it back so the toe of the club points to the sky. From there, it’s all about swinging down along your toe line and making a ball-first strike. Don’t hang back and flip your wrists. Allow your hips and shoulders to rotate so that your chest finishes at the target. Then go sink the putt.

Stay in the loop with Off The Deck

We're on a mission to grow the game of golf! Get our newsletter for daily updates